Gears of war 4 kate descendent of swarm queen
- #GEARS OF WAR 4 KATE DESCENDENT OF SWARM QUEEN SERIES#
- #GEARS OF WAR 4 KATE DESCENDENT OF SWARM QUEEN FREE#
DNA testing might show he’s actually the son of Uncharted’s Nathan Drake, but he fits nicely into this war-torn land, and has a great rapport with his cohorts (who can be played in co-op, online or local). JD is the son of Marcus Fenix, but is nothing like his father, delivering upbeat sarcasm and wit, even when the odds are stacked against him. The robot threat may sound like a setup for an entirely different game series, but it works well with Gears’ tried-and-true combat. The robots also change up combat dynamics in interesting ways, and often populate the areas quickly through drop pods that bounce across the terrain like dice rolling across a dealer’s table. They use wonderful new weapons like the Embar, a charge-shot sniper rifle that takes skill to use without it overheating. The “DeeBee” robots use cover just as effectively as the Locust troops, and a chainsaw can cut through them just as cleanly. The gameplay that stems from this is no different than the Gears of old. While old-school weapons like Lancers are still used, the established conflict is man versus machine – JD versus COG robots. This initial story hook has a Robin Hood vibe, and begins with JD trying to steal a prized piece of technology from within COG city walls. We learn JD and his crew have shunned the Coalition of Ordered Governments (COG) to live as outsiders.
#GEARS OF WAR 4 KATE DESCENDENT OF SWARM QUEEN FREE#
The first act is vibrant, free of blood and guts, and more about the political climate of the world.
#GEARS OF WAR 4 KATE DESCENDENT OF SWARM QUEEN SERIES#
The takeaway from this moment is that something ugly can eventually become beautiful and dynamic.Īfter this peculiar moment, which seems at the time to be more of a commentary on the series than anything in the game, The Coalition doubles down on its decision to take Gears of War 4 in a different direction.
The sequence even concludes with the trio stopping to witness a butterfly being born from its cocoon. The series’ trademark “destroyed beauty” approach to art design is nowhere to be found it’s just beautiful. Set 25 years after the Imulsion Countermeasure (which destroyed all of the Locust and Lambent nests), we meet new protagonists JD Fenix, Kait Diaz, and Del Walker on a sunny and colorful hillside. Through this tightly scripted introduction, The Coalition does a fantastic job of giving players a true sense of closure while establishing the need for the story to head in a different direction. The fourth wall is nearly broken in Gears of War 4’s opening moments when a news reporter looks into the camera, and says “We’re back.” This dialogue is meant to elicit excitement from fans, but is somewhat of a misleading message, since Gears of War 4 is developed by a new studio, introduces new heroes, a new threat, new weapons, and has consistently been pitched as a “new saga.”īefore developer The Coalition shows us how different its vision is, Gears of War 4 begins with a clever playable prologue that walks us through the key battles that shaped Sera and the series. Gears of War 4 is every bit as enjoyable as the series' past iterations, but isn’t the fresh start you might think it is.